Guys! I’m back. (Or at least I hope I’m back?) I know my infamous blog has been sadly neglected, but I’ve decided I’m going to post
something once a week during the academic semester.
Therefore, you can now (hopefully) look forward to fifteen weeks of rejections, cocktails, acceptances, and cats on occasion.
[In other news: I will be with the Ohio University Wind Symphony this weekend when they record
. I can’t wait. Also, my short piano response to Scriabin’s Op. 8 No. 1 étude (“Recomposed Scriabin”) Lichtweg/Lightway is now available for download and purchase. Enjoy!]
But I like writing for the horn. 😢
This rejection is from a few months ago, and ironically I kind of wonder if I should be posting it because I just submitted a new application. Oh well.
I knew I was receiving this rejection letter because they hadn’t asked me to fly out to New York City and meet them, so ultimately I decided to fly myself out to Washington D.C. instead for a performance. Totally worth it.
Mr. Julius, don’t be sad: rejections happen.
Greetings from Interlochen! I have just wrapped up Week 1 teaching young composers, going to fabulous concerts, and…experiencing the joys of cafeteria food when I can’t make it to Traverse City. Alas.
Now that I have some semblance of internet in my
rustic cabin (oh man, should I post pictures online?), I can now post rejection letters that have been sitting in my inbox since…December 28, 2016.
But HEY, congrats to
Katherine Balch for winning this residency. (Just saying, women write music too.)
In other good news, I will be recording a podcast interview this week with
Anthony Joseph Lanman of the 1 Track Podcast. Should be fun!
Miss you Quince Ladies.
Before I revive my second composer FAIL, I’d like to share with you a podcast I recently recorded with my good friends Andrew Martin Smith and host Rob McClure on
ADJ•ective New Music’s podcast Lexical Tones entitled “Over Drinks – Saariaho.”
Get it? Drinks? Cocktails? DO YOU SEE WHAT I DID THERE???
But seriously, once upon a time
I saw approximately 5-10 minutes of Kaija Saariaho’s Why? The plot was was this: boy pines girl, girl pines boy, boy gets on a boat to actually meet girl he’s pining over, HE DIES, THE END. L’amour de Loin and hated it.
What can I say, the synopsis sucks.
However, I did have a change of heart and you should listen to it.
Continue reading “composer cocktail #2”
If you guys ask for more composer FAILs, you will receive more composer FAILs.
I don’t remember what I submitted, but that’s okay: I actually have a few performances this week. (If only I could chat with my twenty-year-old self and tell her that everything will work out okay, I would…)
Austin, I am coming at you!