Composer FAIL #100

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Guys. GUYS. I have made it. I have finally accomplished the milestone of achieving one hundred (documented) Composer FAILs, and now I’m wondering what to do with my life.

First off, I should probably make a speech.

I would like to say this. Failure is not something you can do on your own. Many, many people contributed to my failures. I would like to thank my parents for not completely comprehending why or how I’m a composer or why I post my rejection letters online, the multiple gatekeepers who took a chance on an unknown composer, and last but not least, the wonderful crews from Blogger (then Medium, and now WordPress) who spend hours coding and creating an easy-to-use platform without which I might never be able to curate my rejections.

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Yes, #100 is a double-rejection!

So, cheers everyone. I will be celebrating my rejection letters in style, since it took me seven years to accumulate every single one of them.

Composer FAILs—going strong since 2010.

composer WIN #16

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So, it’s nice to know that on occasion some random strangers like my music enough (or fits into their programming enough) to force a group of instrumentalists in an ensemble called an orchestra to play new music.

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The Ferry Crossing will have its Midwest premiere as part of the 2017 TUTTI Festival at Denison University on Thursday, February 9 at 7 p.m. In fact, I will be on the same program as Augusta Reed Thomas (since she’s their guest composer). Chances are, she probably doesn’t remember me.

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